Showing posts with label Writing Tips. Show all posts
Showing posts with label Writing Tips. Show all posts

Thursday, November 06, 2014

This Writing Life 15: Getting Through The Bad Days

IMPORTANT DISCLAIMER

This article does not deal with mental health issues. Mental health issues are a whole other kettle of fish.  If you think you suffer from a mental health issue, the Health Information Page on the CAMH website has good information. Read it and visit your doctor.

If you are in crisis, if feel you want to kill or hurt yourself or someone else, please call 911, or your local emergency number.

I like you and want you to stick around. Get help.

That Being Said…

Everyone has days where things don’t get done and goals don’t get met. Where they stare at their computer/tool bench/blank canvas/empty notebook/whatever, and bemoan their art, their job, their family and their existence. I’ve had several of them recently, and they’re what inspired this post.

Fortunately, here at Erik Buchanan Writing and Communications, we have come up with an effective solution:

Suck It Up, Buttercup

Yeah. Seriously. Suck it up.

As soon as you finished reading this post and have out of sheer gratitude purchased my books, Small Magics and Cold Magics, get off your couch/chair/self-made cross and do something productive.

Anything productive.

It doesn’t have to be a big thing; it just has to be something. Because even the tiniest accomplishment makes the difference.

That last sentence is so important it’s worth repeating, rephrasing, expanding and putting in bold and italics:

When you are having a bad day, do something productive because even the smallest accomplishment makes a difference, and can motivate you to accomplish other things.

So suck it up, Buttercup, and go do something. And if you need help getting started, here’s a process:

Step 1: Make a list

Get something to write with and something to write on, and make a list of things that need doing.  Not things that you want to do, or things that you like to do, things that need doing.

Don’t number the list, because numbers give a false sense of priorities. Put little checkboxes beside each one.

Step 2: Do the simplest thing on your list

It may be taking out the trash. It may be deleting the spam in your email account. It may be putting on pants (no, seriously, it may well be that on a bad day).  Whatever the simplest, easiest thing to do is on your list do that.

Congratulations! You have accomplished something! Celebrate it! Pat yourself on the back and….

Step 3: Do the next simplest thing on your list

You can see where this is going, right?

Each task that you accomplish reinforces your perception of yourself as a person who gets things done.  Even if you only get one little thing done today, that means you know you’re capable of getting at least one thing done in a day.  Tomorrow, shoot for two.

But What if There’s Nothing Simple on My List?

Then you are thinking too big. Take the big tasks and break them down into small tasks. Example: Do the dishes.

Doing the dishes is not one action, it’s several actions:

  • Finish your coffee
  • Take the dirty dishes from the dining room (if you have one)
  • Take the dirty dishes from the bedroom (hey, don’t judge)
  • Pile the dishes on the counter
  • Take the dirty dishes out of the sink
  • Rinse out the sink.
  • Put in the plug
  • Fill the sink with water
  • Wash a glass
  • Repeat until all glasses are done
  • Wash a plate
  • Etc., etc., etc.

You may not manage to get all the dishes done, but each step brings you closer.

So suck it up, Buttercup, and get stuff done. Because you and I both know that you can. You just need to get started.

Next Week: Writer’s Block Doesn’t Exist And How I Overcome It

Monday, September 08, 2014

This Writing Life 8: Editing and Editors or Just Because It’s Done Doesn’t Mean It’s Done

(Note from Erik: My blog posts have been too long. Since I’m talking about editing this week, it seems like a good time to start shortening them)

Last week I talked about writers as Explorers or Engineers. I said that no matter which a writer was, when that writer finished their book, they were confident that what they have written was the best it could be. I also said they were wrong. Here’s why:

First drafts are never the best they can be.  Ever.

Some people say first drafts are always terrible. They are wrong. Some first drafts are terrible, some are OK, some are good, and some are great. All of them can still be improved.

And here’s the big secret: You can’t make your book the best it can be all by yourself.

You can improve it. You can fix typos and grammar and spelling. You can fix characters, change plot, remove inconsistencies, and correct timelines. But you still need set of outside eyes to look at it.

Too Close To Notice

When we write a novel, we are too close to see all the flaws. Maybe because it’s all in our heads, and therefore we see things on the paper that aren’t there. Or maybe we’ve looked at the work so many times we’ve stopped really seeing it.

Here’s some of my favourite mistakes:
• Saying the same thing over again.
• “You know how Sir Robert says [X] on page 243?” “Yes?” “He died on page 31.”
• Writing the same word different ways, like Mill pond, Mill-pond and Millpond.
• Saying the same thing over again.

And one that I didn’t do, but which is my personal favourite:
“Remember how you said, “Make every person count”?”
 “Yes?”
“You left out the “O”.”
 (Yes, it really happened)

When to Hire a Professional Editor

If your book has a publisher already (congratulations!) your publisher will supply you with an editor.  Otherwise, you should hire an editor when:

  • You’re getting ready to send it to an agent
  • You’re getting ready to send it to a publisher
  • When you are self-publishing (please, please, please!)
  • When you are stuck – you know the book could be better, but can’t figure out how, and neither can your first or beta readers. 


An Important Note

If your novel has been accepted for publication, the publisher should bring in an editor to work with you. If they do not, run screaming. Seriously.

If your publisher does not bring in an editor, it does not mean you are a perfect writer. It means that that publisher publishes unedited manuscripts, i.e.: crap.

What Stage in the Writing Process?

Everyone has his or her own process, so the answer is, “it depends.”

The amazing Tanya Huff, for example, is able to edit as she writes. By the time her first draft is done, it’s ready for her publisher to give it to their editors.

My books don’t go out to my publisher/editor until the fourth draft. Here’s the breakdown:

  • First draft: Yay! I’ve written it! Pour the whiskey! NO ONE SEES THE FIRST DRAFT!
  • Second draft: Fixes the messes I made and puts in all the things I left out of the first. This goes to my first reader (thanks, Katrina!)
  • Third draft: fixes the things I missed on the second draft and those that my first reader says are inconsistent/stupid/don’t work (this involves lots of fun arguing). This goes to my beta readers.
  • Fourth draft: Add in input from my beta readers, do another scan for typos, etc., and fixed anything that still bugs me. Off to my publisher/editor.


Next Week: More Editing and Editors, or More Than Just Copy vs Substantive


Tuesday, September 02, 2014

This Writing Life 7: Outliners vs. Pantsers or The Many Ways to Write Stuff

There is big debate over which way is the best way to write a novel. This debate divides the writing community into two main camps: “Outliners” and “Seat of the Pantsers.” Outliners outline their books before they write them and Seat of the Pantsers don’t.

And I’m pretty sure the Outliners named the groups.

And if one of your big questions as a writer is, “should I outline or not?” read through to the end because that’s where I put my opinion on the matter. Before that, thought, I’m going to explain each type.

I’m also going to rename the two types Explorers and Engineers. Because, really, who wants to be a “pantser”?

Explorers and Engineers

Both the Explorer (Panster) and the Engineer (Outliner) have the same job. There is a mountain (the novel) in front of them and they need to make a path to the top (the end of the novel).  Nice metaphor, eh? And so original…

The Explorer’s Journey
Explorers will say, “Right, I have to go that way,” and start walking. They may find themselves with false starts, they may find themselves backtracking and they may find themselves wandering into completely different territory, but at the end, they will discover what is, for them, the best path up the mountain.

For the Explorer, writing is a very organic process. They most likely know the beginning middle and end (some don’t), but how they will get there is completely open to possibilities. They explore and learn about their characters as they write. They find the situations and scenes and moments as they go.  And while they may have false starts and false directions, the Explorer feels that, by the time they get to the top, they have found the best possible path up the mountain.

(They are wrong of course, but that’s the subject of next week’s blog.)

Some explorers: Stephen King, Meg Cabot (who wrote a great article about why) and Erik Buchanan.

The Engineer’s Journey

The Engineers will say, “Right, I have to go that way,” and start planning. They’ll survey the mountain, measure out the best distance and create blueprints, and then build a road that takes them to the top of the mountain.

For the Engineer, a lot of the creative process happens before they write the book. They figure out who the characters are, from their birthday to their favourite colour in some cases. They know what the story is going to be about, and they decide what actions, tensions, conflicts and resolutions will best serve the story.  Then they sit down and write.  They have fewer false starts because they already know where they are going.  They’re less likely to hit dead ends. And when they are finished, they are confident that they have built the best possible road to get up the mountain.

(They are wrong of course, but that’s the subject of next week’s blog.)

Some Engineers: John, Grisham, J.K. Rowling, and Erik Buchanan.

Wait. You’re In Both Lists

Oh, you noticed.

So Which Are You, an Explorer or an Engineer?

Both, of course.

I started out as pure explorer. I love the flow of the writing, and love the journey of discovering the book.  In the last few years, however, I have incorporated more and more of the Engineer’s path.

Why I went from Explorer to Engineer

Remember the only rule of writing: You Must Finish.  As an explorer, I was finishing, but I was hitting some pretty big dead ends in the process. For Small Magics, I had to re-write 200 pages of the book to fix it.  With Cold Magics, it was 250. Both dead ends took up a lot more time than I wanted, and when I moved to writing professionally, I realized it was time I didn’t have. Add to that, most Ghostwriting clients ask for an outline, and you see why I made the change.

So Which One’s Better?

Remember the First Rule of Writing: You Must Finish.

The one that is better is the one that allows you to most effectively follow the First Rule of Writing. Some people can’t outline because they feel it destroys their creativity and makes the story go away.  Some people feel they must outline because it guides their creativity and brings the story together.

For me, changing from Explorer to Engineer made sense. It allows me to work faster, which means writing more books.  Does it make my writing better? I don’t know. I think so, and when I figure out why I think so, I’ll write a blog post about it.

What I do know is that both ways work. Look at the names beside mine in each group. These writers write good books and make a good living doing it. So pick the method that works for you and do that.

Next Week: Editing and Editors or Just Because It’s Done, Doesn’t Mean It’s Done

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